An independent journal of art & interactionMeet the current edition

Plenty of devices, little moral certainty

The saved web poem turns technological abundance into an unresolved question about trust and public life.

Small technological paper forms connect outward around a deep gap and one warm inner circle.
New editorial illustration for the poem’s turn from abundance toward judgement; not the original web poem.

A repeated question changes direction

The page preserved under the netart route contains a poem attributed to Anjali Arora and bearing a 2001 copyright notice. Its opening celebrates fast communication, useful devices and abundance. Repetition then changes the force of that optimism: the same progress is set beside dishonesty, violence and disappointment in public heroes.

The form carries the reversal

The work’s movement is rhetorical rather than an argument about a particular device. A recurring question first invites agreement and later unsettles it. Its animal imagery belongs to that moral vocabulary; it does not turn the page into a wildlife reference. The closing appeal redirects attention from conquering external space toward the cultivation of judgement.

A modest recovery of a literary object

This note reads the saved text without reproducing the poem. The copyright notice is not treated as proof of a precise creation date, and no claim is made that a complete original interaction has been replayed. The historical URL now reconnects a particular authored web text with its argument, while the linked capture remains the place to examine its wording.

Sources and edition note

This is new independent writing at the historical /netart address. It reconnects the specific work or project described above. It does not claim byte-for-byte restoration, original browser behaviour, current artist representation or operation of an earlier service. Source images, documents and full texts remain at their archival sources.